I normally enjoy a film that breaks the conventions of traditional narrative and offers a bit of a puzzle for the viewers to figure out. I understand some simply like simple, classic entertainment styles when watching a movie, and I do at times, but I do like it when a director attempts to challenge me.I recently read a poll in England where the readers voted 'Vanilla Sky' as the most confusing film they've seen. I can't understand why. The entirety of the plot is told to the viewer at the end. Maybe people were expecting a rom-com when they purchased their tickets and not a sci-fi piece about the reality we choose. Most I know don't care for this film, but I like it. I will admit the film it was based on (i.e. ripped off) was far superior.
I'll chronicle the films I found myself trying to wrap my brain around when the credits rolled. Feel free to add your own in the comments as I'm sure I'll be missing something.
1. 2001 - A Space Oddessy: While the first two acts are simple enough to follow and the symbolism isn't difficult to grasp the ending of the third act is a bit of a mind twist to say the least. While it didn't require much thought to grasp the concept of the monolith I've given up trying to figure out what was going on exactly in the room sequence.
2. Memento: You may be saying this wasn't confusing at all even with the non-linear story line, but there's one quick shot that throws me. You know what I'm talking about. Still it's one of my favorite films of all time and I highly recommend it.
3. Primer: It helps that I don't have a strong background in physics, but I never truly understood what was going on in this story of time travel gone completely awry. I've been told that repeated viewings help, but the aesthetics of the movie hardly warrant it. Still it's an interesting tale, if not cheaply constructed.
4. Lost Highway: I think David Lynch loves messing with his fans. Oh and he likes drugs. Lots and lots of drugs. I watched this film with my friend Corey who's only comment after the credits rolled was a raise of his hands and a baffled look. Actually it's unfair to pick on Lost Highway alone as a lot of Lynch films (Eraserhead, Mullholland Drive) would qualify. Still I enjoyed this for reasons I can't explain.
5. Zardoz: I can't recommend this film at all unless you really like weird, B sci-fi films that make little sense. In the first five minutes there's a floating stone head that rants about how the penis is evil and the gun is good and orders a bunch of hairy men in skimpy outfits to take up arms and kill. It then spews a bunch of weapons and ammunition out of it's mouth. It gets stranger after that. When Sean Connery in a wedding dress is the least surreal aspect of the film you know it has problems. Still considered a cult classic by many, but one I'll never even attempt to watch again. The most confusing aspect of this movie is trying to figure out how it ever became one.
"Every once in a while, a movie like that comes along; a movie you've got to see so that you, too, can be in the dark about it. In the movie's (Zardoz's) own terms, this much can be said for sure: It may not make you an Apathetic, but it will certainly age you by two hours." - Roger Ebert







Say Anything: Familiar to most of my generation this film is known as the definitive 80s story of young love. Part time
Dr Zhivago: This is quite possibly the definitive epic romance. Set against the back drop of the
Before Sunrise: Two strangers, one American and the other French, meet on a train in Europe. With a sense of urgency the guy asks the girl if she wants to spend the last night he has on the continent with him. She agrees and they walk around Vienna falling for each other. Given that they have one night together both are conflicted about their
Casablanca: A timeless tale of love, patriotism, and sacrifice Casablanca it heralded as one of the finest films ever made. Rick, a cabaret owner, is suddenly reunited with a past love, the beautiful Ilsa. To his surprise she's married to a member of the French resistance who's fleeing Nazi persecution. A cynic/romantic Rick is torn between his desire and a sense of duty. An great story and one of the few films that gets every element down. My full review is
The Road Home: While most films dealing with this kind of subject manner have a 


The Bank Job: Heist films are hardly original, but this one is a clever tale based on one of Britain's largest bank robbery. Yes I'm as surprised as you are that I'm posting a film starring Jason
Gonzo: A revealing look into the life of one of my favorite writers. It's a well crafted documentary that's both honest and telling. While there are many films surrounding the legend of the unorthodox 'journalist' this one is by far my favorite. It has it's flaws yes, but for fans and even those who've never heard of him it's an entertaining journey into the life of one who was never bored.
Indiana Jones and the Kingdom of the Crystal Skull: I don't know where to begin with my loathing of this film. The script abandoned all the traits that made the previous three films charming and fun to watch. This movie, like it's cast, is tired and humorless.
Prom Night: Saw this because of a girl and I still wish I had that time back. Quite possibly one of the least scary horror films ever. Oh 'The Ruins' sucked too. Damn her.


4. Superman Returns - The villain's plot is hockey and makes no sense, they still can't get a Lois Lane who can act well, and the man in tights is no Christopher Reeves, but there's one moment that made me love it. I watched it on
5. Why We Fight - Usually when you hear the words 'Industrial Military Complex' people normally associate it with some far fetched conspiracy theory. This film though takes us into the real world of the mass manufacturing and selling of death and it's effect on our world politics. The result is terrifying. I almost find it depressing that heavy handed documentaries such as Fahrenheit 9/11 get such praise while this arguably more important and intelligent film will soon be forgotten.
1. The 